Creating art for Epaul is a necessity. It is a vital part of his existence. In the wake of Hurricane Katrina he felt abandoned by his photography because he could not pack a giant enlarger, darkroom chemicals and the other bulky, cumbersome equipment in one day and evacuate from his beloved city. In exile for six months he decided to use images he salvaged from the storm, expression, light, energy, spirit, movement, texture and value to create . . .